Tennessee

Gibson Modern Double Cut Standard Heritage Cherry Burst, 2018

 Gibson Modern Double Cut Standard Heritage Cherry Burst, 2018

This new model Gibson Modern Double Cut Standard, draws from the earlier double cut designs that other brands successfully copied – is built at the Gibson shop in Nashville, Tennessee. The traditional elements are all here – the mahogany body and neck, the body with a carved figured maple cap, the neck with a bound rosewood fingerboard and pearloid trapezoidal markers, ’57 Classic humbucking pickups with tune-o-matic bridge and stop tailpiece, and Grover Roto-Matic tuners.

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Gibson ES-125 Archtop Electric Sunburst, 1953

  Gibson ES-125 Archtop Electric Sunburst, 1953

This Gibson ES-125 in the original full body, no cutaway, one pickup configuration, is clearly dated to 1953 from the FON, Factory Order Number stamped on the inside back and visible from the treble F-hole.  FON’s were used at various times, and from 1952 to 1961 started with a letter code, counting down from Z to Q. Y represents 1953, and this guitar was the 26th in batch 4011.

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Gibson SG Special P90 Cherry, 1966

 Gibson SG Special P90 Cherry, 1966

The Gibson SG Special first appeared with the new Les Paul body shape in 1961, and renamed to SG as the endorsement contract lapsed. It was built until 1978 as a lower cost SG model. Featuring the same mahogany slab body and mahogany neck as other SG models, the Gibson SG Special first used a pair of P-90 pickups and an intonated, combination stop-bridge tailpiece. Some versions, such as this one, also carried a short-format Maestro Vibrola tailpiece.

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Gibson Northern Jumbo Slope Shoulder Dreadnought Sunburst, 2007

  Gibson Northern Jumbo Slope Shoulder Dreadnought Sunburst, 2007

Like a Southern Jumbo, the Gibson Northern Jumbo features a slope-shouldered dreadnought body, with a Sitka Spruce top and Mahogany for the back, sides and neck. The fingerboard and bridge are Rosewood, with Mother of Pearl used for the inlays. A Firestripe type pickguard was stock. The top has a sunburst finish, on some promotional materials referred to as ‘Maple BUrst’, and the body has a dark tint. The rear of the headstock carries a decal of a Maple Leaf and ‘Limited Edition’ below. The truss rod cover is engraved ‘NORTHERN JUMBO’. As typical of Gibson acoustics of the period, an L R Baggs pickup system is discreetly installed, and the tuners are Grover Roto-Matics with nickel finish. 

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Gibson ES-355 Mono with Sideways Vibrola, Cherry 1961

 Gibson ES-355 Mono with Sideways Vibrola, Cherry 1961

When the Gibson ES-355 appeared alongside the ES-335 and ES-345 appeared in 1958, they were a hit and the ES-335 was the top of the line, with all the extras included as standard. As stock, it always included a vibrato tailpiece – either a Bigsby, a Maestro Vibrola, or the all-new Sideways Vibrola. In addition, the ES-355 was wired in ‘Stereo’ with two jacks so each pickup could go to a separate amplifier or channel.

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Gibson Firebird Studio 2017 T Pelham Blue

 Gibson Firebird Studio 2017 T Pelham Blue

The Gibson Firebird Studio 2017 T is a new version of the ‘reverse’ body Firebird, using set neck construction and standard humbucking pickups. Available in Pelham Blue and Vintage Burst, this is a great alternative to an SG. The first Firebirds appeared in 1963 in the ‘Reverse’ body shape – referring to the lower, treble cutaway ‘horn’ being longer than the usual bass side, and with neck-through construction.

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THE TWELFTH FRET

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