The Twelfth Fret ~ Since 1977 ~

Vintage

Gibson SG Standard Tribute Walnut 2019

 Gibson SG Standard Tribute Walnut 2019

The Gibson SG Standard first appeared in 1961 as a radical update to the Les Paul model, and bore the Les Paul name until 1963. This change had two drivers – one, Les Paul himself was not overly fond of the design, and his endorsement association with Gibson was coming to an end, partly due to complications with his divorce from Mary Ford. With the change in name, the Les Paul models disappeared from production until 1968, its resurgence sparked by the combination of that guitar and Marshall stacks as used by British blues-influenced players.

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Ramirez 1a Long Scale Classical Guitar Cedar Top Brazilian, 1967

 Ramirez 1a Long Scale Classical Guitar Cedar Top Brazilian, 1967

Here we have a Ramirez 1a Long Scale classical guitar built during 1967, during the ‘golden era’ of Jose Ramirez III’s leadership of the Ramirez workshop at Concepcion Jeronima No. 2 in Madrid, Spain. This well-used instrument features a long scale of 664mm or 26.14 inches, intended to provide increased volume and projection for the professional concert performer.  With Jose Ramirez III leading the workshop, this Ramirez 1a Long Scale has the initials CLL on the slipper foot. Its construction defines the tradition that countless other builders follow, with the slipper foot join integrating the sides and neck for maximum resonance and response.

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Fender 57 Hot Rod Stratocaster Sunburst, 2011

 Fender 57 Hot Rod Stratocaster Sunburst, 2011

Here’s a great playing Fender 57 Hot Rod Stratocaster in a 3-tone sunburst, and original parts except for a replacement Fender body. The original body was flawed, and replaced under warranty by Fender. Introduced around 2007, the Fender 57 Hot Rod Stratocaster hews closely to the original design with one piece Maple neck and Alder body, but the hardware has a number of factory upgrades, some not immediately apparent.

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Sold‼ Alastair Miller Barncaster, Rosewood on Barnboard 2018

Sold‼ Alastair Miller Barncaster, Rosewood on Barnboard 2018

The Miller Barncaster is a take on the classic Tele design appearing in a number of variations. This Alastair Miller Barncaster, Rosewood on Barn board model was created in Alastair Miller’s shop using a barnboard core capped with Indian Rosewood and a Cocobolo neck, and custom wound Miller Pig Farmer pickups. The bridge pickup measures 7.4K ohms, the bridge 8.5K ohms. The other components are also top quality CTS pots with vintage era cap, and Switchcraft jack and switch.   The pickguard is lacquered Bakelite.  

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Sold‼ C. F. Martin D28 Brazilian Rosewood Dreadnought, 1969

Sold‼  C. F. Martin D28 Brazilian Rosewood Dreadnought, 1969

This C.F. Martin D28 built during 1969 at the Martin facility in Nazareth, Pennsylvania. In keeping with the time it was built, the Rosewood used for the sides, back and head plate was sourced in Brazil. The top is Sitka Spruce, the neck and body blocks Mahogany, and the fingerboard and bridge are Ebony. Grover Roto-Matic tuners are installed and a new bone saddle and bridge pins have been added. The headstock is the late 1960’s rounded shape, with a relatively slim profile neck. It’s very comfortable to play.

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Martin Style A Mandolin Natural, 1936

 Martin Style A Mandolin Natural, 1936

The Martin Style A Mandolin had a long production run – from 1914 to 1995, and bridged the European and American approaches to mandolins at a time when mandolins were extraordinarily popular. Most European mandolin designs used a traditional bowl back with a folded or ‘bent’ top. In America, however, Orville Gibson merged arched top and back violin design principles with the mandolin layout for a dramatically different instrument. The new Gibson models delivered significantly higher volume and, not having round backs, were easier to hold and play.

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THE TWELFTH FRET

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