Taylor 412ce from 1998. Sitka spruce top, ovankol back and sides. Fishman pickup, cutaway, minor play wear and fretwear. Hardshell case included.
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This just came through the door – a brand new, Martin D-28 Authentic 1937. These incredible instruments feature an herringbone bound, Adirondack red spruce top with hand-scalloped forward shifted X-braces, and are authentic recreations of the 1937 specifications, but with Madagascar in place of Brazilian rosewood.
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This is a 1951 Epiphone Zephyr Regent archtop model E312, in nearly original condition. This model was built between 1950 and 1958, in natural finish (model E311) and sunburst (model E312).
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Featuring a chambered Silver maple body with a spruce top, a rock maple neck with either an ebony (on the fretless models) or rosewood (on the fretted models), the Godin A4 Ultra Fretless Bass offers a very wide range of tonal possibilities. The bridge is ebony with a pin design, very unusual for an electric bass!
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The Gibson ES-339 Studio is a new model, with the great features of the smaller ES-339 thinline electric model stripped down to the essentials. The Studio version has the same construction and tone, but with softer, unbound body edges and with master volume and tone controls; it is available in Sunburst and Ebony (black).
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David Wren has been building since the 1970’s, after apprenticing (like so many of Canada’s top luthiers) with Jean Larrivee. David Wren’s Studio line was made during the early 1980’s as a simpler, lower-priced ‘standard production’ alternative to the rather more expensive custom order models that most builders create.
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