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Gibson Memphis ES-335TDN 58 Reissue Natural, 2016

  Gibson Memphis ES-335TDN 58 Reissue Natural, 2016

The Gibson Memphis ES-335TDN 58 Reissue reproduces the very first version of the revolutionary thinline semi-hollow guitar. This model was the first to bridge the gap between traditional arched-top guitars and then-new solid body models.

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Gibson Sheryl Crow Signature Natural, 2009

  Gibson Sheryl Crow Signature Natural, 2009

The Gibson Sheryl Crow Signature model is based on her 1962 Gibson Country Western model, which she’d been touring and recording with for years. Concerned that it should be protected, she approached Gibson for a replacement – and they responded with the Sheryl Crow Signature model.

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Gretsch 6120 Archtop Electric Western Orange Stain, 2002

  Gretsch 6120 Archtop Electric Western Orange Stain, 2002

The Gretsch 6120 archtop electric guitar first appeared in 1954 with the Chet Atkins name, and quickly established itself as as a top tier instrument. It’s been used successfully in every genre that allows electric guitars, from Jazz to country to harder Rock styles.

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Jerry Jones Neptune 12-String Copper, 2007

  Jerry Jones Neptune 12-String Copper, 2007

Here we’re looking at a Jerry Jones Neptune 12 built during 2007 at the Jones plant in Nashville. It wears a lovely copper finish, and in all original, very good clean condition. It plays well, and the neck is wide enough to allow easy clean chording.

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Gibson ES-135 P100 Tobacco Burst, 1996

   Gibson ES-135 P100 Tobacco Burst, 1996

Built from 1991 to 2003 in Memphis, the Gibson ES-135 P100 was a single florentine cutaway, semi-hollow thinline with a pair of P100 hum-cancelling pickups. From 1956 to 1958, the ES-135 existed as a renamed ES-130, a full-depth, single-cutaway archtop with one or two P-90 pickups. The ES-130 was introduced in 1954, renamed in 1956 to the ES-135, and discontinued in 1958.

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Bourgeois Mahogany D Aged Tone Natural, 2013 –

Bourgeois Mahogany D Aged Tone Natural, 2013 -

The Bourgeois Mahogany D is a master luthier’s take on the venerable D-18 pairing of Adirondack Spruce with Mahogany back, sides and neck, and the Aged Tone Spruce gives it an extra sparkle and depth. Adirondack Spruce has a slightly wider grain structure compared to Sitka, but is still extremely strong and is reputed to have somewhat more ‘headroom’ when played aggressively, as might sometimes occur in a Bluegrass or Country context.

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THE TWELFTH FRET

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