Shown here is an original condition Gibson SG Standard with optional Bigsby from 1973, in Walnut finish and originally sold at Mamelok LTD in Manchester, England, which closed in 1993. The Gibson SG Standard launched with the SG name in 1963, but really first appeared in 1961 as a radical redesign of the Les Paul model.
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Ramirez 1a flamenco guitars are built in the traditional Spanish style at the ‘home’ workshop. The guitar centers on a ‘slipper foot’ neck to body joint, with the sides fitting into slots cut into the heel block. The body pairs a Spruce top with Cypress back and sides – a very light wood in terms of weight and colouring, also providing a lot of brightness to the tone.
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Here’s a great deal on a New, Old Stock (NOS) Taylor Custom GA in Spruce and Figured Walnut, dating to early 2015 and at a significant price reduction! As the name suggests, the Taylor Custom GA is from Taylor’s Custom programme, sometimes known as BTO or ‘Build To Order’. The GA stands for Grand Auditorium, one of the larger body sizes but smaller than a Jumbo or Dreadnought.
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The Alvarez DYM60HDE is based on a guitar designed and built for Jack Pearson, a highly respected American guitarist and once a member of the Allman Brothers Band, and sits at the higher end of the Alvarez line since its introduction around 2018.
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Seen here is a wartime (WW2!) Martin D-18 Dreadnought, built during 1943 at Nazareth PA and in great playing condition. Accompanied by a recent appraisal from George Gruhn, this piece is in structurally very good condition with wear expected for over 80 years of use. The back of the head does not have a ‘Made in USA’ stamp, which was typically used to identify guitars built for export, particularly to Canada.
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Here we have a very good condition Huber VRB4 TrueTone Walnut 5-string banjo, with a highly figured Burl Walnut resonator and Rosewood fingerboard. Based on classic 1930s, pre-WW2 banjo designs, the Huber VRB4 delivers great tone and looks with modern reliability. It features walnut construction, a HR-30 tone ring and Huber Engineered rim.
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This Overwater Scott Devine Model 4 J Series Bass dates to 21 August 2017, and features a Swamp Ash body paired with a 33 inch scale Birdseye Maple neck. It also includes Overwater’s own active electronics, powered by a single 9v battery.
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Introduced in 1948 and built until 1971, the Gibson A40 was offered as a high quality entry level instrument. This example dates to 1957 and is in overall good condition, plays well and has a bright yet warm tone with plenty of volume and projection. The original fibre case is included, as well as a more recent hard shell case.
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This is a wonderful rarity. Built during 1953, this is an early Gibson ES-295 in good, clean and largely original condition, showing some honest finish wear and tear from real use over the decades. It’s easy to confuse the Gibson ES-295 with the classic ES-175, and there’s a good reason – they are the same guitar, but the ES-295 has a double gold finish and when introduced, two pickups instead of one.
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Here’s a Pattison Pattiphone Walnut Frailing Banjo featuring a wooden tone ring and 12-inch pot, built during 2019 near Guelph, Ontario. The Pattison Pattiphone is a relatively simple and lightweight instrument, and very well built.
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Here we have a spectacular Suhr Custom Modern Plus with a Burled Maple cap finished in Bengal Burst on an African Black Limba body and Roasted Maple neck. This beautiful, very well built Suhr Custom Modern Plus is in nearly new condition with only the slightest wear. The stainless steel frets show no signs of wear, and the finish is near pristine.
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This Sergei de Jonge Classical guitar was built during 1980 in Toronto, following de Jonge’s return to Canada from a year in Holland and creation of a new workshop. Having learned guitar building in Toronto during the years 1969 to 1971 from Jean Larrivee and Edgar Monch via Eli Kassner, and then a year with Patt Lister in Collingwood, this de Jonge classical shows these strong influences.
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