The Twelfth Fret ~ Since 1977 ~

Brazilian

C F Martin D28 Dreadnought Acoustic Brazilian Rosewood, 1969

 C F Martin D28 Dreadnought Acoustic Brazilian Rosewood, 1969

ere we have a C F Martin D28, built in Nazareth, Pennsylvania in 1969. 1969 was officially the last year that Martin used Brazilian Rosewood for their Rosewood models, and in 1970 Indian Rosewood was in use. A few guitars were built with the dwindling stocks of Brazilian, eventually coming down to Brazilian being used for the center panel on the three-piece D-35 back. Brazilian Rosewood is used for the sides, back, and head plate.

Vintage

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PRS Signature Limited Edition, 593 of 1000 Red, 1990

 PRS Signature Limited Edition, 593 of 1000 Red, 1990

Here’s a treat – from Stevensville Maryland in 1990, a PRS Signature Limited Edition, number 593 of 1000 – a spectactular guitar in great shape!

Used

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Gibson ES 150 Archtop Electric Sunburst, 1939

  Gibson ES 150 Archtop Electric Sunburst, 1939

The Gibson ES 150 was one of the earliest production electric guitars, and perhaps the first successful Electric Spanish – as distinct from Electric Hawaiian – guitars. Built from 1936 to 1956, the Gibson ES 150 is full bodied non-cutaway archtop guitar with a solid Spruce top and Mahogany for the back, sides, neck, body blocks and back bracing; the bridge and bound fingerboard are Rosewood, and for the period, it’s expected that the ‘Brazilian’ is silent. Brazilian Rosewood has become exotic and restricted, but at the time it was very common.

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C F Martin D28 Brazilian Rosewood, 1969

  C F Martin D28 Brazilian Rosewood, 1969

Here we have a C F Martin D28 with a beautiful set of Brazilian Rosewood for the sides and back, built during 1969 as one of the last production Martins with this wood. The Martin D28 was introduced in 1931 and has been in production since then. It has been a consistent favourite with performers and appeared on countless stages and recordings. This model features a Spruce top paired with Rosewood for the back, sides and headplate – orignally Brazilian but after 1969 as embargoes were put in place, Indian Rosewood.

Vintage

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Harmony Meteor H70 Thinline Archtop Electric Sunburst, 1958

 Harmony Meteor H70 Thinline Archtop Electric Sunburst, 1958

Built from 1958 to 1966, the Harmony Meteor H70 thinline archtop electric was mass produced in Chicago, and popular with many amateur and rising musicians – even appearing on Rolling Stones stages in the hands of Keith Richards. The Meteor H70 was also available as the Meteor H71 – the same guitar, but with a Natural finish instead of sunburst. The largest difference between the Meteor H70 and models like the Rocket H54 is the use of Spruce laminate for the top instead of Maple. This choice gives the guitar a more complex, warmer tone than the Maple top models.

Vintage

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Epiphone Zephyr Regent Archtop Electric Sunburst, 1953

   Epiphone Zephyr Regent Archtop Electric Sunburst, 1953

The Epiphone Zephyr Regent is a full body, 17.375 inches wide, built using Maple laminates for the top, back and sides for feedback resistance. The neck is Mahogany with Rosewood for the wooden bridge and bound fingerboard.  The position markers are slotted Mother of Pearl blocks,  perhaps looking forward to the markers found on the later Epiphone Howard Roberts model. 

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