The Fender Robben Ford Model was produced in Japan from 1987 to 1993 and was based on the Esprit Ultra. This example features a chambered mahogany body.
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The Gibson J-45 has been a guitarist’s choice almost since its introduction. Though its tonal representation isn’t always the most harmonically complete, it has a warm, enveloping sound that works extremely well accompanying a singer.
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Here we have a Breedlove Quartz A-Style mandolin dating to 2002 and built at the Breedlove shop in Bend, Oregon. The A-Style body design is sometimes referred to as a ‘teardrop’, and dates to the late 1890’s and was one of the radical innovations made by Orville Gibson, bringing violin-family construction techniques into the mandolin and guitar world. This instrument uses a solid, carved spruce top and maple back and sides. It’s in overall quite good condition for its age, with minor fret and finish wear. A Fishman bridge pickup has been installed with and endpin jack.
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Built from 1997 to 2003, the Bourgeois Martin Simpson model features a Grand Auditorium body with a very deep cutaway and targeted to fingerstyle players,
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The Gibson ES-300 was built from 1940 to 1952 as Gibson’s premiere electric guitar, but production halted during WW2 and restarted in 1946. Originally built with all solid woods, on its reintroduction the sides and back were normally laminates, as these resist feedback, an important issue with amplification.
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Tony Duggan-Smith has been a fixture on the Canadian music scene for several decades, starting in fine arts and moving through Jean Larrivee’s shop.
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